W.A.Mozart

Don Giovanni at Apollon Theater, Ermoúpolis, Syros

April 29-30, 2022

Apollon Theater, Ermoupolis, Syros

IN CO-PRODUCTION WITH SINFONIETTA HELLENICA

“This production is an interdisciplinary dialogue between opera and art forms, where time is suspended in a glass box, inspired by Pedro Almodovar’s energy and La Lupe, a Cuban Bollero singer who lived in Bronx, New York during the 1980s and 1990s,”

​CREATIVE TEAM

GEORGIOS GALANIS | CONDUCTOR
STEFANOS KORONEOS | DIRECTOR
TASOS PROTOPSALTOU | SET AND COSTUME DESIGNER
EMORFILI TSIMPLIDOU | LIGHTING DESIGNER
LOLITA VALDERRAMA SAVAGE | ARTIST
MARIA PANAGIOTOPOULOU | ASSISTANT COSTUME AND SET DESIGNER
ELDA KLADAKI | SUBTITLES
DINA STRANI | STAGE MANAGER
NIKOS MOTSIOS | PROMOTIONAL VIDEO CREATOR
RICARDO MONGE | POSTER DESIGNER

CAST

MANOS CHRISTOFAKAKIS | DON GIOVANNI
RICK AGSTER | IL COMMENDATORE
OLIVIA LE ROUX | DONNA ANNA
STEPHANIE LORENZ | DONNA ANNA
ADAM GOLDSTEIN | DON OTTAVIO
DIEGO VALDEZ | DON OTTAVIO
LISA ALGOZZINI | DONNA ELVIRA
SOPHIE KOCHANOWSKA | DONNA ELVIRA
VALERIO MORELLI | LEPORELLO
LUCAS BOUK | MASETTO
BRYAN MC CLARY | MASETTO
CLARE GHIGO | ZERLINA
MARA KOUTSAIMANI | ZERLINA
CHRISTIANA LAMBIRIS | CHRISTIANA (non-singing role)

ACT 1

The opera opens with Leporello waiting outside a house for his master, Don Giovanni. A masked Giovanni rushes out of the house pursued by Donna Anna, and her awakened father (the Commendatore) tries to defend his daughter. A duel ensues and Giovanni kills the Commendatore. Anna mourns her father while her fiancé Don Ottavio pledges to avenge his death.

The next morning, Giovanni and Leporello encounter Donna Elvira, who is seeking the man who betrayed her. Giovanni, the culprit, tries to console her before realizing her identity. He makes a quick getaway, leaving Leporello to explain to Elvira that she is just another one of Giovanni’s many conquests.

The scene changes to Zerlina and Masetto’s wedding – Leporello joins his master and a group of peasants to celebrate. Giovanni sends the wedding party to his home while he flirts with Zerlina. Anna and Ottavio arrive and ask Giovanni for his assistance in finding the man who killed the Commendatore, unaware of his identity. Elvira returns to warn all of them of Giovanni’s character, but he makes another quick exit. Suddenly, Anna realizes who he is and tells Ottavio the full story, demanding that he find Giovanni and avenge her father’s death.

A party begins at Giovanni’s home with all of the wedding guests. Anna, Ottavio and Elvira appear at the house in masks and are invited to join the party. At the party, Giovanni leads Zerlina to another room. She screams and everyone rushes to rescue her. Giovanni blames Leporello. Anna, Ottavio and Elvirare move their masks and accuse Giovanni, who manages to escape.

ACT II

Giovanni decides that his next conquest is Elvira’s maid, so he switches clothes with Leporello to woo her without getting caught. Mistaking Leporello for Giovanni, Elvira comes down to be led away by him. Masetto appears, armed and with villagers. Don Giovanni (who is still disguised as Leporello) offers to help them. After sending the peasants the wrong way, Giovanni tricks Masetto into giving him all his weapons and makes a quick exit.

Later on, Leporello (who is still believed by Elvira to be Giovanni) is confronted by Anna, Ottavio, Zerlina and Masetto. A panicked Leporello reveals his true identity before escaping. Ottavio asks the others to look after Anna as he looks for Giovanni to take revenge.

After fleeing, Leporello joins his master in a cemetery where they notice a statue of the Commendatore. Suddenly, a voice from the statue warns Giovanni of his impending doom. Leporello is terrified but Giovanni thinks it is a joke. Giovanni invites the statue to a banquet and it accepts.

At the banquet Elvira appears and begs Giovanni one last time to change his life and marry her, but he dismisses her. A loud scream sounds, and everyone looks – the statue arrives at the banquet to ask Giovanni to repent. Giovanni refuses and is thus consumed by the flames of hell. The others appear in an epilogue warning the audience about the dangers of sinful behaviour.

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Sponsors

Giambelli Foundation
Columbus Citizens Foundation
Bloomberg Philanthropies
Pinktie
Virginia B. Toulmin Foundation

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